So long to the bitter rains of #winter, hello to the restorative rains of #spring. #seattle #rain


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@Nullprof's Best Music of 2013

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Daft Punk's Random Access Memories  cover art Prologue 2013 was a *great* year for music. There were exceptional releases each month from established acts,  left-for-dead acts , and several very exciting rookies. Anybody who keeps up in earnest with popular music should  have found themselves juggling a profundity of riches, even outright overwhelmed by them. Usually, by early December, I have a reasonable idea of what my rankings will look like, and while this year my top choices have been static for several months, I really had to scramble to fill out the rest of my list. As late as the second week of December, I was still discovering 2013 releases that warranted inclusion. This is in part due to my decision to expand my reading habits, which led me to publications such as The Quietus , perhaps the closest approximation of an English analogue to Pitchfork. It reviews albums and bands that are not even on Pitchfork and progeny's radar, such as Grumbling Fur's ...
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Tycho: ambient music for those who are succeeding in our contemporary economy?

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Anish Kapoor and The D.C. Singularity

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Washington cycles out its losers every 2 years, thanks to term limits and/or a mercurial electorate. After the indicators shift ever so slightly on the spectrum of the two party political system, a new regime sets to work rectifying the real or perceived shortcomings of an outgoing government that, no longer around to scurry to/from meetings on the Hill, is quickly forgotten. This exodus of incumbents and their staffs occurs so suddenly and unceremoniously, though, that one wonders if there isn't another, say, entropic, force speeding the unfortunate masses out of town. Enter Anish Kapoor's "At the Hub of Things," an extraordinarily clever and engrossing fiberglass sculpture that, for more than 20 years, has sat in the bowels of the Hirshhorn Contemporary Art Museum. Situated as it is in an all-white alcove with track-lighting positioned behind it on the ceiling, it offers two entirely different experiences depending upon whether the viewer approaches its profile o...
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